My first memory of a crochet hook begins in Lithuania, at my grandmother’s kitchen table.

In 1990s Lithuania, newly independent and rebuilding, access to Western fashion was limited. Creation emerged from scarcity. To make something by hand was not a trend, it was resilience.. Grandma made everything by hand, hats, long skirts, sweaters for severe winters. Pieces sold quietly to neighbors or worn within our family.

Nothing was wasted. Nothing was ordinary.

I grew up wearing garments no one else could own. Handmade meant singular. Time, skill, and discipline were visible in every stitch.

The women in my family shaped my eye and my philosophy. They taught me that limitation is a material….something to be worked with, not against. Their resourcefulness lives in every piece I form today.

The name YARNMA began as a nickname — given late one night while I was immersed in a crochet project instead of going out.

A fusion of yarn + grandma, it honors origin while rejecting nostalgia.

YARNMA reclaims crochet as structure.

The process

YARNMA exists at the intersection of art and fashion.

Every piece is conceived as wearable art, hand-crocheted by me in Brooklyn over the course of one to two weeks, sometimes longer depending on the complexity of the design. Time is not a constraint; it is part of the process.

Hardware detailing has become a signature of the house, offering versatility in styling while introducing tension between softness and structure. The contrast of delicate yarn against industrial metal defines the YARNMA aesthetic — tactile, intentional, and quietly bold.

Each creation is a one-of-one collector’s piece, alongside essential silhouettes that transcend traditional fashion calendars and seasonality. YARNMA is not trend-driven; it is time-honored.

FAQ